Alfred Hair

“Backwoods Pines”
oil on canvas panel
16 x 12 in.
© date unknown, circa 1970

Alfred Hair, nicknamed “Freddie,” was born May 20, 1941, in Fort Pierce, Florida, and was killed at the age of twenty-nine in a barroom brawl in 1970.

Alfred Warner Hair was born in Fort Pierce, Florida in 1941. His parents were Annie Mae and Sammy Hair Sr. Alfred Hair married Doretha in 1966. He had six children. Alfred Hair attended Lincoln Park High and Lincoln Park Community College. Hair had natural artistic talent which manifested itself in art class at Lincoln Park High where he studied under art teacher Zenobia Jefferson. She sent him to study art with A.E. Backus.

Hair saw painting as liberation for young African- Americans, from being confined to fruit picking and other forms of hard manual labor. Hair knew he could never make a living on his paintings the same way white artists could because he was in the Deep South during the Jim Crow era, so Hair resolved to work fast and in quantity.

Mark Dixon

Mark Dixon

Works-on-paper

[thumbnail view]

[thumbnail view]

All artwork is available for viewing prior to purchasing if desired.

Alexandra Suarez-Augustyniak

Alexandra Suarez-Augustyniak

The Collapse
mixed media on canvas
20 x 16 in.

Journey 1
Acrylic & mixed media on canvas
11 3/4 x 39 in.

Journey 2
Acrylic & mixed media on canvas
11 3/4 x 39 in.

The Observers
Oil & mixed media on canvas
18 x 24 in.

All artwork is available for viewing prior to purchasing if desired.

Ross Ford

Ross Ford

Number 352, 2009
Acrylic on Canvas
18 x 24 in.

Number 357, 2009
Acrylic on Canvas
24×36 in.

Number 359, 2009
Acrylic on Canvas
36×48 in.

Number 365, 2009
Acrylic on Canvas
36×48 in.

Number 366, 2009
Acrylic on Canvas
36×48 in.

All artwork is available for viewing prior to purchasing if desired.

Julio Green

Julio Green

Portal VII, 10/2008
Oil on Canvas
30 x 24 in.

Portal VIII, 10/2008
Oil on Canvas
30 x 24 in.

Portal X, 10/2008
Oil on Canvas
48  x 72 in.

Portal XIV, 10/2008
Oil on Canvas
20 x 24 in.

Portal XIII, 10/2008
Oil on Canvas
20 x 24 in.

All artwork is available for viewing prior to purchasing if desired.

Darren C. Price

Darren C. Price


The Impassable, 2009
Oil, wax and ashes on canvas
42 x 36 in.


the end of the day (east), 2009
oil and wax on canvas
36 x 48 in.

Faith, 2009
Watercolor, acrylic, graphite and spray-paint on paper
32 x 42 in. 2009

The Promise, 2008
Oil and wax on canvas
42 x 32 in.

untitled (winter landscape), 2008
Oil and wax on canvas
38 x 38 in.

All artwork is available for viewing prior to purchasing if desired.

Paul Aho

Paul Aho, artist, painter, printmaker

All artwork is available for viewing prior to purchasing if desired.

Eddie Alvarez

Road Rage

Title: Road Rage
Medium: Color Pencil on Linoleum
Dimensions (HxWxD): 8″x6″

Chile 1989

Title: Chile 1989

Medium: Chalk on Chalkboard
Dimensions (HxWxD): 35″x 23″x 1″
Date: 2005

Bangkok

Title: “bangkok”

Medium: acrylic and epoxy on wood
Dimensions (HxWxD): 17″ x 12″
Date: 2003

Nocturne

Title: “nocturne”

Media: acrylic and epoxy
Dimensions (HxWxD): 24″ x 24″
Date Created: 2003

Eddie Alvarez

The night paintings are a somber, melancholic expression of aimless nights. The initial concept is one of mood and atmosphere. That is to say, the mood of the nocturnal, the dark, the nostalgic, the vulnerability that washes over with the setting of the vibrant sun. In this sense, the subject is symbolic. The dark void of the night a metaphor for an empty loneliness, the bright glare of parading lights a mocking reminder of a seemingly indifferent society. Some may find a feeling of urban/ suburban alienation that is often shared (less often admitted) in our modernized, frigid society. Viewers who themselves have felt this detachment, would in turn, feel a personal connection with a subject otherwise alienating.

The depiction is simple yet substantial. The scenes are essentially landscapes painted mostly from my own photographs. However they are obscured rather than a detailed and accurate representation of the visual or “real” world. Much like the blurred recounts of the estranged, to whom the new day brings only the promise of a less harrowing weight than the night. These are places not completely discernable but familiar to anyone. Under an immensely glossy and thick surface, brush work and inaccuracies are straight-forwardly evidenced and relied upon. The challenge of balancing abstract surface qualities, paint application and communicating an image is the essence of the execution. In this case the communication is via the least refined road possible, using minimal detail in achieving immersive paintings.

[originally published: July, 2006]