Andrew Binder

Andrew Binder

The origin of my art is derived with a fascination with drawing, drawing mediums and the human form. Over time this fascination led me to explorations about the stuff of humanity in the still life genre, and finally the integration of figures, still life, and landscape, using pastels and other colored media.

As an artist I am primarily interested in books and book forms, because I am fascinated with the byplay between the complexity of the information that can be packed into a book’s contents, and the shear simplicity of traditional book forms. I am also fascinated by the interaction of image and text, and the movement between pages that force the viewer to be gently manipulated into an artist’s vision.

In my imagery I am moving away from the traditional collage techniques of appropriation and attempting to expand my artistic vision by taking my own original source material like Robert Rauschenberg did in his international series. In other words, I am making a world spanning archive of personal images that reference the collective gestalt of humanity, to use in my original art making. Rather than just appropriating photographic images.

Andrew Binder
“War and Health” © 2009
Etching with Collage and hand Coloring
Print size 11 X 15 in.
Frame size 16 X 20 in.

Andrew Binder
“Lady Colle’” © 2009
Etching printed on Inkjet print, with the Chine Colle’ method
Print size 11 X 15 in.
Frame size 16 X 20 in.

Andrew Binder
“Jump” © 2009
Lithograph, Stencil Color, Xerograph, ?Rubber Stamps, and Hand Coloring
Print size 11 X 15 in.
Frame size 16 X 20 in.

Jonathan Thomas

Jonathan Thomas

From the material I collect, I perform various strategies of image manipulation defined by collage, dissection, re-contextualization, free-association, and ultimately transformation. Through this process I am able to address my interest in the contradictions and ambiguity of visual culture. The majority of this activity is cast through the prism of printmaking, and as a result, is heavily invested in concepts inherent to print media; repetition, multiplicity, layering, sequence, misdirection, ghosting, binary systems of thought and reversals. Prints are residue, traces of information, tracks in the snow.  A print is never an isolated object. There is an innate reference to the source of its creation and the ability for that source to recreate at a different time. This issue addresses the manner in which afterthought and forethought convolute to create our immediate reality. This concept is the structure through which I explore the fragility of memory, the cracked logic of dreams and the gap between perception and actuality.

Mark Dixon

Mark Dixon

Works-on-paper

[thumbnail view]

[thumbnail view]

All artwork is available for viewing prior to purchasing if desired.

Sara Stites

Sara Stites

Scratch 12, 2009
8 x 10 in.
Scratchboard and artificial gems

All artwork is available for viewing prior to purchasing if desired.

Till Konneker

Till Konneker


Till Könneker / Germany
Things Are (series), 2009
Print on handmade Japanese paper
signed and framed (limited edition)
ed. 4/10


All artwork is available for viewing prior to purchasing if desired.

TJ Norris

TJ Norris

Carnivale, 2007
Ink and Mixed Media on Arches Paper
30 x 22 1/2 in.

Plume, 2007
Ink and Mixed Media on Arches Paper
30 x 22 1/2

Poof, 2007
Ink and Mixed Media on Arches Paper
30  x 22 1/2 in.

Sub-Split, 2008
Ink and Mixed Media on Arches Paper
20 1/2 x 15 in.

All artwork is available for viewing prior to purchasing if desired.

Alexandra Suarez-Augustyniak

Alexandra Suarez-Augustyniak

The Collapse
mixed media on canvas
20 x 16 in.

Journey 1
Acrylic & mixed media on canvas
11 3/4 x 39 in.

Journey 2
Acrylic & mixed media on canvas
11 3/4 x 39 in.

The Observers
Oil & mixed media on canvas
18 x 24 in.

All artwork is available for viewing prior to purchasing if desired.

Ross Ford

Ross Ford

Number 352, 2009
Acrylic on Canvas
18 x 24 in.

Number 357, 2009
Acrylic on Canvas
24×36 in.

Number 359, 2009
Acrylic on Canvas
36×48 in.

Number 365, 2009
Acrylic on Canvas
36×48 in.

Number 366, 2009
Acrylic on Canvas
36×48 in.

All artwork is available for viewing prior to purchasing if desired.

Julio Green

Julio Green

Portal VII, 10/2008
Oil on Canvas
30 x 24 in.

Portal VIII, 10/2008
Oil on Canvas
30 x 24 in.

Portal X, 10/2008
Oil on Canvas
48  x 72 in.

Portal XIV, 10/2008
Oil on Canvas
20 x 24 in.

Portal XIII, 10/2008
Oil on Canvas
20 x 24 in.

All artwork is available for viewing prior to purchasing if desired.

Darren C. Price

Darren C. Price


The Impassable, 2009
Oil, wax and ashes on canvas
42 x 36 in.


the end of the day (east), 2009
oil and wax on canvas
36 x 48 in.

Faith, 2009
Watercolor, acrylic, graphite and spray-paint on paper
32 x 42 in. 2009

The Promise, 2008
Oil and wax on canvas
42 x 32 in.

untitled (winter landscape), 2008
Oil and wax on canvas
38 x 38 in.

All artwork is available for viewing prior to purchasing if desired.